One of the components of On the Edge of the Dark Sea of Darkness that immediately drew me to it was, simply put, its uniqueness. Sure, it shares character traits with traditional fantasy, but there are aspects I'd never seen before. Which of course brings us to...The Ain’t It Creative Angle
All of the quirks readers quickly came to love (or love to hate) in Book One are back. The toothy cows of Skree are still toothy and vicious. Totaters are still a vegetable of choice. Horned hounds still haunt the forest. Now added to the mix are Bomnubbles and snickbuzzards and quill diggles and a gargan rockroach.
Footnotes are still used, although less than in Book One. This time the footnotes offer complimentary information to events, characters, or places in the story. There aren't as many invented sources and Skreean publishing houses, but if it's included in the footnotes, it must be important to know that the "unknown areas beyond the edges of the maps were referred to as 'the places beyond the edges of the maps.'" And any reading would be incomplete if the reader wasn't told that Alma Rainwater was considered a revolutionary poet because her style "rhymed and followed a strict form called ba-dum-ba-dum pentameter."
And rest assured that Janner, Tink, and Leeli still study their T.H.A.G.S., the "Three Honored and Great Subjects: Word, Form, and Song. Some silly people think that there's a fourth Honored and Great Subject, but those scientists are woefully mistaken."
At least the mathematicians have some company.
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